Friday, February 24, 2012
Wednesday, February 15, 2012
Jaco Pastorius – Word of Mouth
I’m currently
listening to “Word of Mouth” by Jaco Pastorius. I’ve been a fan of Jaco’s music
since I first heard him on Pat Metheney’s first release – Bright Size Life.
I’ve also had the privilege of studying with Bob Moses – the drummer on this LP
(Bob provided insight into how that magnificent trio worked). Jaco is one of the most intriguing
musicians I’ve ever had the pleasure to discover. Although I’ve never met him
personally, I felt like I knew him through the many stories I’ve heard from so
many musicians that have either jammed, recorded or toured with him.
Unfortunately, he suffered from bipolar disorder, which contributed towards his
demise (along with a history of drugs). However, like most great artists, you
cannot take away the magical contribution he provided on every level – as a
bass player (and he was the best….not just because he said it), a composer and
a theatrical performer (check him out on Joni Mitchell’s “Shadow’s in Light”
DVD). “Word of Mouth” is an album that put some of Jaco’s tunes on the
“standards” map. “Three views of a Secret” is not only a well-crafted melody,
but a beautiful, free-sounding waltz (thanks in no small part to Jack DeJohnette’s
floating drum performance... one can imagine an image of rolling hills and ocean
waves washing over the music in Jack’s effortless drum style…always driving, always
swinging. Then of course, we have “Liberty City” which is, without question, a
staple part of the big band repertoire.
I’ve always felt
that a truly successful album should feel like an engaging show, including
certain elements: a.) a beginning statement to get your attention such as Track
one: “Crisis”…this should be en exercise for all bass players….just to see if
they can hangJ
b.) several different colors or
diverse pieces that take the listener on a sonic journey with twists and turns
c.) a rewarding ending that feels like you’re glad you stayed for the whole experience…..and
this certainly happens with “John and Mary” (last track on the album). The intro
chords for “John and Mary” are harmonic gems leading us directly to the
grooving ostinato, which is at the very heart of the tune. Throughout the album
one can feel the overflow of creativity, groove and intelligent thought behind
every tune (not to mention that everyone from the scene at the time is on this
album including: Michael Brecker, Don Alias, David Taylor, Wayne Shorter, Peter
Gordon, Toots Teilelman, Snooky Young, Tom Scott and so many others).
Though his
accomplishments are known by virtually everyone in the jazz world (and even R
& B), I’d like to say thank you, Jaco, wherever you are. Your music has
made the difference for me.
- Tom
Nazziola
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